Sreća je na 45 okretaja!

Večeras prvih 50 posjetitelja na upadu dobiva porno mod značke za obilježavanje prve isključive 7″ žurke ikad održane u HR. KO!

FB događaj

Prvi 7″ party u Hrvatskoj!

Subota, 5.1.2013.
Klub Place, Rijeka

45RPM ALLNIGHTER

Mr. Dirty Hairy (ZG/BR, HR/UK)
gdin. Smeđi Šećer (KopajOvo!, HR)
DJ Kool S (Pu, HR)

Upad: 15 kn | Start: 23 h

KopajOVO! organizira prvi isključivi 7″ vinilni party IKAD održan u Hrvatskoj! To znači da nisu dozvoljene plejke od 12″(30cm) ili 10″(25cm), kao ni 12″ singlovi. Pa zašto?: a) jer je zajebano, b) jer preferiramo male pločice zbog sounda i doživljaja, c) jer možemo.

Svjesni toga da ništa nije teško dok nisi upoznao lakše, u goste smo pozvali renomiranog 45 funk puštača ploča Mr. Dirty Hairya. Pratnju za kotačima od čelika činiti će mu pulski DJ Kool S kojemu je ovo prvo gostovanje u Rijeci. Podršku u vidu lokalne 7″ artiljerije pruža gdin. Smeđi Šećer. Laptopovi zabranjeni, samo sedam inčeri dozvoljeni, a na podij pada sve od hip hopa, funka, jazza, disca, soula, čegagod, u svim inačicama dobavljivim na tim malim pločicama s velikom rupom.

Budi tamo ili budi kvadrat i KopajOVO!

Dodatak:

Kasnije prepisana track lista:

DJ Kool S

Memphis Horns – What The Funk
Whitefield Brothers – Yakuba
The Grips – Fancy Roll
Afro Dizzi Act – Let Yourself Go
Aj & The Jiggawatts – Don’t Mess With Me
Derobert & The Half-Truths – I Got Burned
Al Reed – 99 44/100 Pure Love
Five Special – Jam
Derobert & The Half-Truths – Sucker Punch
Johnnie Morisette – I’m Hungry
B.T. Express – Give It What You Got
The Baker Brothers – Ponky Wockett’s Revenge
Breakestra – Deuces Up, Double Down
Gregg Jolly – Love Is
Jack Costanzo – Viva Torado
Captain Sky – Super Sperm
Shotgun – Good, Bad And Funky
Shaolin Temple Defenders – International Soul
Blue Rhythm Combo – Black Water Gold
Ikebe Shakedown –Hard Steppin
Exodus – Hey Dakar
Setenta – Sonrisa

 

gdin. Smeđi Šećer Pt.1

Yvonne Fair – Let your hair down
Ron Buford – Deep soul pt.2
The Village callers – Hector pt.1
Freddie and the Kinfolk – Mashed potato popcorn
Memphis Horns – Soul Blow
James Brown – Hey America instrumental
Perez Prado – Circle
Albatros – Ha-Ri-Ah
Tom Jones – Looking out my window
The Prepositions – Sweet Lucy
The Stovall Sisters – Hang on in there
Phat Fred – Stay on the groove
Melvin van Peebles – Hoppin’ John
Sharon Jones & The Dap Kings – I got a thing on my mind
Joe Tex – Cat’s got her tongue
Al Green – Get Back Baby
Leo Martin – Ima Vremena
Dušan Prelević – Mojih 5 minuta
The Mighty Show Stoppers – Hippy Skippy Moon Strut
Patrinell Staten – I let a good man go
Aretha Franklin – Weight
The Fabolous Counts – Jan Jan
Electric Express – Real Thing pt.1

gdin. Smeđi Šećer pt.2
Alan Price Set – The house that Jack built
Spencer Davis Group – I’m a man
Raffaela Carra – Chissa chi sei
Tony Ronald – Verano
Josipa Lisac – Ležaj od suza
James Brown – Soul power pt.1 juggle
The Prepositions – Something different
The Apples – Killing
Kurtis Blow – The Breaks
Special Delivery – Get up express your self
MFSB – The Zip
Chic – Funny Bone

http://smedisecer.net/

http://klubplace.blogspot.com/
http://www.facebook.com/klub.place
http://twitter.com/KlubPlace
http://www.youtube.com/klubplace

Mr. Dirty Hairy rockin' vinyl @ KopajOvo!

Došlo je vrijeme i za drugi po redu članak u seriji gostujućih kolumni ‘Prašnjavi prsti’. Nakon kratke kolumne bez okolišanja iz pera legendarnog ljubljanskog DJ-a Udo Brennera, kocke su pale na Mr. Dirty Hairy-a. Hairy je doletio u lijepu nam našu pred par godina i donio SVJEŽE zvukove boom bap produkcije koju je bez milosti i s puno hrskavosti u svojim snareovima, već ugradio u pjesme ljudi kao što su npr. General Woo, Kandžija i Toxz od zvučnijih imena, a naravno tu je i dug niz remixeva i mixtapeova koje Hairy redovito izbacuje na svom Soundcloudu. Ove godine izdao je i svoj prvi Hip Hop 7″ pod imenom Dirty Treats (aka. Mr. Dirty Hairy & Ill Treats), a već najavljuje i novi mixtape koji će činiti isključivo diggovi sa njegove zadnje mini turneje po Francuskoj. Hairy je za ovu kolumnu stvarno riješio neko introspektivno sranje i otvorio vam dušu. Pročitajte Hairyevih ’10 kojih se sjeća’, a covere pogledajte u sredini (klik za veliku sliku).

’10 that I remember ‘ – Dirty Hairy

● Herbie Hancock - Speak like a child (Blue Note 1968 -reissued in 1977)

I first got my hands on this record  when I was 18 or 19 years old through my uncle and it changed the way I looked at hip hop production, looping and DJ’ing. Not because its some ground breaking-boundary-pushing album but I think because of the timing in what I was doing. I had an MPC maybe for a year, its around 1998 and I was digging obvious stuff as you do when you start out. I was looking only for loops  because 90% of hip hop to me  back then was just  that. But this  album taught me to build loops out of  just sampling singular chords, notes, horn stabs or hits. I sampled this album for months, different parts, playing a beat on the MPC and then dropping it in to try and mix little 2 bar segments. Then when I realized DJ Cam (France) had sampled it on his Substances album. Then I left it alone. Smiling to myself I had learnt something new. Now I was listening to music differently. With this new education it suddenly became time to track down every recording affiliated with the personnel on the back of this album cover (that’s what you do when you love an album like that).  Ron Carter was killing those bass lines  and I now know this album so very well. This record made me take digging for samples more seriously. My late Uncle Paul hooked me up with the UK 1977 repress of this LP and when I moved to Zagreb  in 2008 I found the OG US 1968 in MINT condition for 150kn.  I haven’t played it yet and its almost 2013. I like  to just sometimes hold it and take it out the  jacket and smell it. Mmmmmmmmm.  Throw this record on, its perfect for a rainy day….

● Paul Simon -  Graceland (Warner Brothers 1986)

If theres one thing for sure its that Paul Simon (after the Garfunkel days) surrounded himself with some QUALITY musicians in his career mainly of a jazz / funk / blues background. Great song writer. This record was important to me because its a constant reminder of my childhood. Picture it Driving around in UK with my mum and younger brother  in a brown 1988 Yugo Zastava. Woah woah woah .. .. Hold up .. In England ?  Hairy ? WTF !  It’s true. Having a Croatian grandfather has its benefits you know? Oh Yes. He had arranged this chocolate brown beauty for us to be driven from Čakovec to London! I think we paid around 4,500kn for it. It doesn’t matter. The old Yugo bought us much happiness we were mobile again! Free! Importantly those rides  had a luxurious twist because we had a functioning tape deck and this album was getting HEAVY rotation. We would all sing to this cassette in the car. When I think about this album I think about  it being a classic ‘ afro beat’ album and how back then the term  ‘afro beat’  hadn’t'  been given the lift it has today with the legacy of Fela, Kola Ogunkoya, Tony Allen to name but a few! This is a classic afro beat-pop record and musically and production wise it is superb. It has AWESOME arrangements, fresh song concepts, lyrics and is soulful with it. Eventually the Yugo died  (the door handles snapped off in the British winter frost and in the final days we had to climb in through the back) and the tape deck refused to accept anything so we where back to buses and trains again. In the meantime I grew up, became a musician and a DJ and felt obliged to track down the album on vinyl  (a UK pressing) in a ‘Oxfam’ (charity store ) in the British town of Basingstoke. Now it sits proudly in my collection for nostalgia and when I rediscover it within my collection from time to time I’m singing  to myself  the vocals of  Ladysmith Black Mambazo. Na na na na na na na na!

● New Jersey Kings – Stratosphere breakdown (Acid Jazz 1995)

I found this in London digging around Oxford Circus sometime in 1998. I had already bought the album 2 years prior on CD but I had no idea it was available on vinyl. There is such limited information on the sleeve that until I learnt about the label I actually thought it was maybe something local. I dub this as the first real funk vinyl album that I bought and if you see me spinning vinyl in a club, bar or cafe today I will always have this record with me. In the early to mid 90s  in UK  and with the help of people like Gilles Peterson, Dean Rudland and bands like JTQ, Mother Earth, Snowboy, Corduroy, Brand New Heavies, there where excitingly funky releases on the UK’s ‘Acid Jazz’ label. This was one of them but for many following the core artists  ( as mentioned above )  this NJK LP /EP missed a lot of peoples radars  I think. Information was passed to me  later on that: this was infact the James Taylor Quartet minus James Taylor (because of record contract signings) so actually these guys were kept somewhat of a secret. Just when you think you are well researched on a label  and you know your shit someone will always come along and school you. If they are older humbly except the knowledge. But if they are younger  then ‘do your home work’. Anyway I liked JTQ , but this is something rawer. The guitar and bass lines jump out at me on this LP and as a drummer I stole many of this dudes licks. I remember playing in a funk band which covered the track here ‘Smokin‘. The artwork was based on Miles Davis’ experimental album ‘ On the corner ‘.

● Bob Marley and The Wailers - Catch A Fire (Island Records 1973)

My father was and still is a massive reggae fan as well as liking all of the rock based things you could affiliate with Frank Zappa. This is another record from my child hood  which I remember hearing and  eventually inheriting  the record  once I got older. This original /Uk /European sleeve – actually I’m not entirely sure what the pressing is – in the  shape of a  blue zippo lighter with the top of the jacket flipping up like an actual zippo. After years of showing this off as an ‘original’ I eventually broke it. Slave driver used to kill me on the bass line and backing vocals soul (and marijuana)  by the pound. I always seem to remember reggae music and cooking in our house hold when I was younger  so I embrace it fully now!

●The Jackie Lynton Band - A bit near the mark (Scratch Records UK 1980)

My father used to tell me in-between kayaking down the  river Thames on acid in the 70s, that  he and his friends would follow local bands around London the with a 4 track recorder and ask if they could make their own private bootleg recordings. I think (or so it seems) on one occasion Jackie Lynton said they could as long as they bought a record. So my dad did and of course we’re talking about another inherited record here. It would be interesting to hear the quality of some of their recordings and who they actually recorded. Jackie Lynton  (whoever he may be) was and probably still is a funny man. I don’t know if he went on to have a career in comedy the same way Billy Connelly did (fronting a band and telling funny stories in-between songs or whilst the band would plug in, tune up and prepare the set), but he has a series of very funny monologues on his records (which all appear to be live). This particular  double gatefold record has a 3rd record inside which features more live action from the JL and the band  on a record titled ”Till we’re blue in the face’ from 1979. It features the famous ‘My man Monday’ and  ‘Stewardess’ bending over‘ where Jackie rather riskily retells the story right at the start of a gig of going into a porno theatre (the kind were you keep pumping coins in to see the whole picture ). I don’t know how to explain  this music to you , its rocky its bluesy it can be funky in places, its London,  its 1979/1980, its local , good riffs, good musicians  and Jackie has a great voice. The Jackie Lynton band are a good old fashioned  honest English Pub rock band still doing the circuits today. Yeah I said it. Pub rock.. Not punk .. its a genre within a genre! If you are an Only Fools and Horses fan Delboy is based on the kind of person I think Jackie Lynton is.

● John Coltrane – Blue Trane (Taiwanese red vinyl pirate version 1957, Unknown repress date)

I used to travel by train to a city in the UK called Reading (home of Ricky Gervais),  it was a 30 minute journey from where I lived at the time and what lay beyond was a bounty of record stores, independent skate shops and other unusual flea markets. One shop we used to hit called Sound Machine (Harris Arcade) which was 85% vinyl and 15% cds. Dev, the owner at the time used to be really nice on the price of Jazz LP’s and back then referencing things on the internet was not available so we got some bits cheap. Anyway  amongst a day of routine Impulse, Pablo and Riverside digs (4 pounds and under) out jumped this Coltrane red vinyl (no jacket just an inner sleeve) for 10 pounds. Dev did it for 8  but couldn’t tell me anything about it. I thought I’d buy it because it looked japanese and original and I am a big Coltrane fan.  I later researched and had the record checked and it turned out to be a red vinyl pirated Taiwanese version of Blue Train. No idea of the repress date potentially 70s judging by the label design / font but for a pirate it sounds awesome!

● Quincy Jones – I heard that (A&M 1976)

 There was a time (before the internet) were this wasn’t so easy to get. These days they are everywhere which is good for people discovering Quincy for the first time. I found this in the city I mentioned before (Reading) just around the corner from  Dev’s store. It’s gotta be my favorite Quincy album from the 70s. The bass player of a funk band I was playing in around 2001 ‘Steve’ (a huge funk, rock music fanatic) lent me this record from his fathers own private collection. I remember he gave it to me to enjoy and listen  but also to check out for samples because he got what I was doing with the MPC. Once I dropped the needle on the record I heard a bunch of songs that had been sampled TONS. So I left it. I remember Steve asked for the record back and I was very sad. It took me about 5 months or so after that but I eventually found a US original in mint condition. The record has everything from the booty funk slapping flavors of the Brothers Johnson to cosmic Billy Cobham  drum solos right through to a funked up version of  ‘Superstition‘ with Stevie Wonder on the harmonica. Awesome sounds  and an absolutely crazy rosta of the finest musicians and vocalists in the jazz funk realm. Minnie Ripperton on ‘If I ever loose this heaven’  !?  Jesus christ if you are on a first date PLAY THIS SONG.

● The 3 pieces – Vibes of Truth (Fantasy 1975)

So years back in the late 90s and early 00′s when we were hitting up Dev’s in Reading once a month he would have all the nice new funk reissues, which was great because I was playing funk regularly in student bars. For me if you dig out or find an original you don’t want to be mashing it every week in a venue (unless your name is DJ Format, respect due). I always like the idea of just playing with originals and certainly I started  that way but when I started damaging these valuable records with cue burns and such I started to rethink the plan. So reissues were a good way to get the music a little cheaper and preserve an original. I bought a reissue of this record  (The 3 Pieces ) from Dev and when I got home, inside there were 2 records?  It was a jazz compilation on some Pharaohe Sanders, Courtney Pine, spiritual jazz tip. It also had a version of Calypso Blues  by Nat King Cole! Anyway I decided I wouldn’t tell Dev that the record I wanted wasn’t in there unless he specifically asked and I ended up content with the Jazz comp. On visits to Dev’s after that I never mentioned it. So then we fast forward some 4 or 5 years later when from 2003 – 2005 I lived in New Zealand. I was mainly  based in Wellington the capital (North Island) but I would travel between Wellington and a slower smaller city called Palmerston North (2 hours away). One day on a casual solo dig in a flea market in ‘ Palmy ‘ (not a diggers paradise type of town) there it was. In a box of old records. Literally a diamond in the rough. And for 1 New Zealand Dollar! Thank you sir. Mint condition, original US version (I think they fetch about 40 euros these days),  Donald Byrd Production, breaks, funk, soul the whole lot.

● Common Sense – Can I borrow a dollar (Relativity 1992)

I used to visit Amsterdam for of course smoking purposes. I smoked Pot daily for about 9 years and in that time visited the ‘Sunny Dam’ about 6 times. Back in those days you had the lovely currency of guilders no euros, the smell of waffles, coffee and pot drifted the central high streets and the infamous Fat Beat record store was still there selling fresh 12”s and T shirts. Anyhow the moral of this story is digging whilst stoned is NOT always a good idea. I was bagging SHIT records all day and just laughing because I thought I was gunna sample this weird dutch music. Every record you pick up you look at with INTENSE detail and say  ’wow man, I bet this record has the sound of a windmill on it, I could sample it’. But as I started to straighten my mind out in my baked blur – I remember looking down in my bag to see a collection of the shittest dutch folk vinyl with accordions, windmills and people tap dancing in clogs and shit. I started to realize ‘Oh. These are some wack digs, what an earth am I going to do with these records when I return home?’. We hit one last store, they had a hip hop section, I was in there and this jumped out. Finally something half decent !!!!  It’s not so rare and not Common’s best album but the Beatnuts production made up for some weird high pitched moments in Common’s rhymes (actually No I.D. did most of the production). Naturally a different sounding Lonnie Rashid Lynn to the one we know and love now. Rawer. The reason  this record stands out and made it into the list is that is was found in a place you wouldn’t typically expect it, and more importantly is was extremely cheap (I think the price was marked up wrong) or maybe I was just reeeeeeeeally high?

● Charizma & Peanut Butter Wolf -  Devotion 7″ (Stones Throw, Recorded in 1993, Released in 2000)

 So I’m in Tower records  in Southampton / UK its a commercial chain of music stores which aren’t so dominant now but back in the day they where everywhere. You only would go there for the new hip hop releases which is exactly what I did. It had been a day of second hand store record shop digging and checking out local skate shops for hoodies, sneakers etc. So Tower Records was last  because we were on the way back to the train station and it was en route. There seemed to be be nothing of interest as we casually went through the record racks expecting to see what we saw. Then after uninterestingly flicking through a box of punk 7”s  this  nice little 45 jumped out. Now this was in 2000, and I had never heard of  Charizma at that time. 3 years later an  album ‘Big Shots’  from Charizma and Peanut Butter Wolf  (turns out to be their debut album) arrives on the scene with these rugged beats. The tracks  were recorded in the early 90′s while signed to another  label,  but was never released due to artistic conflicts with the labels exec’s. PBW retained the tracks and released ‘em through his label Stones Throw in 2003. If you see me with a box of 45s I’ll almost always have this in there.

And thats that. 10 memorable records, not necessarily my favorites and certainly not in any order. I’ve been collecting, digging, selling and buying records for 15 years and when I sat down and thought about some standouts over time heres what came up. Nothing really massively obscure certainly some things here that just a music fan, or a listener can relate to. I could give you another 10 if you want?

 Dirty Hairy, November 2012, Zagreb

we be jammin' and a funkin'

Subota, 8.12.2012.
Klub Place, Rijeka

KopajOVO! #10 LIVE!
Medika Funk Jam Session Band (ZG)

Frigiddy FRIŠŠŠKO!

Subota, 10.11.2012.

Klub Place, Rijeka

KopajOVO! #9 Hip Hop 101 specijal:

Mr. Dirty Hairy & MC Toxz – NAVRAT NANOS EP live
DJ Šah Mat – tvrdi hip hop set
support DJ Jopa & gdin. Smeđi Šećer

Upad: 15 kn | Start: 23 h

Došao je trenutak i za prvi Hip Hop specijal u režiji KO! klike. U goste nam dolazi uvježbani duo Mr. Dirty Hairy & MC Toxz za vrhunsku ‘two turntables and a mic’ poslasticu u klubu Place.

Dirty Hairy je vanserijski jazzy hip hop DJ i producent (General Woo, Kandžija, DJ za Krankšvester) i iako je otprije poznat pratiteljima KO! žurki, ovaj put dolazi u kombinaciji koja mu najviše odgovara: isključivi block rockin hip hop beatovi, MC kontrola rulje, tona jugglanja, cutanja i scratchanja. S MC Toxzom je realizirao, isproducirao i snimio Navrat Nanos EP, kojeg će vam zajedno ispromovirati na licu mjesta, a unatoč promociji dogovor je da žurka NE STAJE.

Znači nema koncerta, nema predgrupe, DJ-evi bacaju bombe, a Toxzu prepuštamo da njegov legendarni, potvrđeni, party rockin’ freestyle tok svijesti bez cenzure preuzme kontrolu nad plesačima na podiju. Kako je ovo naš prvi hip hop specijal, pozvali smo i riječku legendu tvrdo udarajućih hip hop beatova DJ Šah Mata (Balance). Na licu mjesta ćete moći nabaviti Hairyeve tapove ‘Jazz Fanatik vol.3‘ i ‘ Dirty digs disco‘ kao i Toxzov EP ‘Navrat Nanos‘, a podršku za kotačima pružaju kao i uvijek vaša KO! braća: DJ Jopa i gdin. Smeđi Šećer.

Budi tamo ili budi kvadrat.

FB događaj

http://smedisecer.net/

http://klubplace.blogspot.com/
http://www.facebook.com/klub.place
http://twitter.com/KlubPlace
http://www.youtube.com/klubplace

KO! žurke u režiji DJ Jope i brata Šećera su krenule kao što je i najavljeno: FURIOZNO. Stank ekipa, Soul Bader i Kutmasta Mirko su učinili svoju stvar i prisutne pobili sirovim grooveom. Gledaj fotke (by Tanja Kanazir) i žali što nisi udarao podij na 5 sati tvrdog funka i soula. Hvala svima i vidimo se 10.11. u Place-u na KO! žurci #9, na kojoj će gostovati MC Sunny Sun & DJ K’Pow za pravu ‘two turntables & mic’ hip hop poslasticu. Hrpa jugglanja i block rockin’ beatova. Vidimo se!

12345►

Zgrabi, potisni i napuni...podij sa sjebanim funkom

Subota, 13.10.2012.
Klub Place, Rijeka

KopajOVO! #8 w/ STANK DJ’s (Zg):

DJ Kutmasta Mirko (Stank, Zg)
DJ Soul Bader (Stank, Zg)
DJ Jopa (KO!)
gdin. Smeđi Šećer (KO!)

Upad 15 kn, a ako dofurate neki LP ili singl upad je 10 kn.

Kopaj ovo kru je nazad u kući prljavog zvuka sa sporojebajućim funkom sa kotača od čelika! Ulazimo furiozno i bez milosti u novu sezonu, sa najtvrđim funk partyem za pucanje pršljenova u kralježnici, odljepljivanje leđa sa zida i kapljice znoja na gaćicama koje je vaša mama prostrla za nas.

Prošle godine u Zagrebu je oformljen kolektiv Funk DJ-eva STANK kojeg čine turntablist Kutmasta Mirko, soul fanatik Bader i rare groover Werft. Ekipa sad vodi jedinu funk radio emisiju (Radio student) u HR otkako je brat Šećer dobio pedalu, a od prošle godine idu i Stank plesne večeri u Vip clubu.

Dođit provjeriti kako oni spuštaju prljavštinu na podij, a za zagrijavanje su zaduženi kao i uvijek vaša KO! braća: prašnjave jagodice Šećer, i gumeni zglobovi Jopa.

Budi tamo ili budi kvadrat.

FB događaj

http://smedisecer.net/

http://klubplace.blogspot.com/
http://www.facebook.com/klub.place
http://twitter.com/KlubPlace
http://www.youtube.com/klubplace

Borosane i yugo funk

Legendarni muzej stare računalne tehnike Peek&Poke slavi 5 godina postojanja. A u petak 21.09. priređuje i 2. po redu natjecanje u daktilografiji ‘Typewriter Borosana Competition 2012′. 12 natjecateljica za koje su prijave već prošle prijavilo se uz broj obuće, jer će ih Peek&Poke odjenuti u yugo šik Borosane. Vaš brat Šećer je tamo ove godine i po prvi put POKE-a. Ići će YUGOĐUS! program, sve isključivo sa vinila, najbolje od yugo: funka, jazza, soula, diska, progroka i svakakvih drugih dragulja napravljenih za uhodavanje novih Borosana. 21.09. vidimo se @TBC2012

gorući konji, ljudi orlovi i đitre

Ehej, eto ga novi podcast svježe nakon prekida suradnje s Radio Trsatom. Navučen sam na latin to je očigledno, a ovu sirovu selekciju izrokao sam u eteru pred mjesec i pol dana. Nema sumnje u vulkansku silinu pojedinih traka, od kojih bih izdvojio svakako brata kralja Mamba tj. brata od Perez Prada (Pantaleon Perez Prado) sa pjesmom Circle izdanom na rijetkoj singlici s talijanskog UniFunk labela. Tražite i možda je još nađete, ali koliko sam shvatio ‘prorijedila je’. Bacite uho, a track lista za buduće diggere je sljedeća:

Chango – Sacapa
Chango – Bembe
Malo – Just Say Goodbye
Chango – Solid Karma
Malo – Cafe
Santana – Jungle strut
Totem – Dias de esos
Ray Camacho & the Teardrops – Si si puede
Bongolian – Soul Caravan
Dakila – El Dubi
Perez Prado – Circle
Tempo 70 – El-Galleton
Dakila – Searchin’ For My Soul
Totem – Biafra

aj ne seri...

E ćao ćao, upali pjesmu ispod pa nastavi čitat. Update nakon duže vremena. Vrijeme je za malo patetike iliti heroina duše. Vidiš što piše oko kruga na slici s lijeve strane. Kad ide emisija i kad ide žurka. Nema više ni jednog ni drugog. Da. Radio Trsat je kupio radio Soundset, a njima ne treba večernji program. Emisija je išla 4 godine i lijepo mi je bilo s vama, a pogotovo odkad smo se preselili na vrh zgrade Novog lista, gdje sam imao super pogled na svjetla Rijeke dok su potenciometri skakali na mix pultu. Puno zabave, dobrih intervjua, i dobre vibre od svakog slušatelja. Isto tako nema više onih pravih funk žurki u Tunelu već neko vrijeme, a i đir i vibra su mi malo strani. Dogodila se između ova dva događaja i dobra stvar, a to je da se KopajOvo! ubacio u Place gdje mi je iskreno najbolje do sad u Rijeci. Napokon plesni podij, a čovjek se može razbacat ako baš želi. Ove sezone Jopa i ja spremamo set jebenih gostovanja u Place, počevši od 13.10. za koji već imamo potvrđene zagrebačke goste, a potvrde imamo i za 11. i 12.mj. Znači pravac Place ako vam je do tabanjenja plesnog podija, i tvrdih sirovih ritmova s kotača od čelika, a dobru glazbu do daljnjeg potraži na smedisecer.net u Kuhinji organskog zvuka.